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+ Fast Product was a castle (or perhaps a shack) in the sand, we kicked it over before the end of the 1970's. Should Fast Product be ashamed or flattered that three of its twelve releases were in Mojo magazine's October 2001 top 100 Punk Scorchers? 

Is it just nostalgia?  Just in case something else is going on, in case there's some other value to the echoes bouncing back into the 21st century, we are beginning to put an archive on line.

This page lists and quotes various Fast Product references in the print media.

01/02/2005 With the Pratts in a Jonathon Demme film and the Scars at where they deserve to be at no21 in the UKwith Lemon Jelly's sample of Horroshow its starting to feel that time is going in reverse.

It's very exciting that the very best assesment of Fast Product to date can be found in the totally contemporary opensource encyclopedia Wikipedia- see our links page for wikipedia and other sites that know more about us than we do.


Scotland on Sunday 11/1/2004

In a story about our friend Richard Jobson " The disposable nature of punk flourished in the east of Scotland with the revolutionary Fast Product  .... Club nights dedicated to Fast Product are back on the agenda." Richard Purden, Scotland On Sunday


The Creation Records Story

"(Last) started the Fast Product label in December 1977 with the intention of combining music and design in a hard-hitting audio-visual packages. Fast Product's house style, a farrago of humorously incongruous slogans and photographs, attracted the sort of aficionado who liked records to look arty and highbrow, but it also talked a language that the market in general was becoming used to hearing. In essence this said: records should be brilliant for an instant, relevant for a moment and forgotten in a flash .... As Brian Hogg noted ... (Fast Product's) notion of corporate identity encouraged fans to buy every release - complete the set, so to speak - irrespective of artist, or, more perversely, merit." David Cavanagh in his history of Oasis's label "The Creation Records Story" 2000


45

"Bob Last, The Man from Fast. The sound of serious young men. The definer of Post Punk" from "45" by Bill Drummond of the KLF.


The 500 Greatest Singles since Anarchy

+ "Fast Product discovered The Human League, Gang Of Four, The Mekons and The Fire Engines, and put out a set of singles between 1978 and 1981 so extreme, prophetic and whole that you imagined Fast as some self-contained planet located conveniently in the north of England. It was as important an indie label as Rough Trade, Postcard or Creation" Gary Mulholland in " The 500 Greatest Singles since "Anarchy in the UK"  published by Cassell & Co in 2003.


England's Dreaming , Jon Savage, Faber and Faber


Sleeve notes

"+ You could say that Fast Product stands at just the point where Postmodernism fully moved into popular culture - a 1979 Harpers & Queen article by po-mo architect Charles Jencks featured Fast Product sleeves - and that all the discussions about packaging, consumerism etc were just a prelude to a more intense, reference laden consumption. You could point to the label as containing all the cutting edge elements that would become mainstream styles: New Pop, synth pop, rock funk. You could say that for all that period's speed, wit and passion, that the drive of the media industries was unstoppable: and you would be right." Jon Savage  sleeve notes1993.

... and the following authors in some cases know more about what Fast Product did than we do:


Punk Diary 1970-79 George Gimarc, St Martin's Press


The History Of Scottish Rock and Pop, Brian Hogg Guinness Publishing


The Great Rock Discography 5th edition, Martin Strong, Mojo Books-, The Great Alternative & Indie Discography, Martin Strong, Canongate Books. If Martin Strong says we released it then we probably did.


Up Yours  a guide to UK Punk, New Wave and early Post Punk by Vernon Joynson,  Borderline Productions. 2001

 

 

 

 

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